Woodland Management, New Events and an Art Walk

I'm on a woodland management course this weekend and yesterday I felled my first tree!  I was working with Ian and Andy who both own small woodlands, we started off with some smaller trees using the step method, but really... We wanted to fell a big one! So we all had a go at the 'beak' method and really made an impact on the area we were working on. By 3pm, the sun was streaming through and hitting the woodland floor giving some of the ground layer plants a chance to grow.

Its been a busy few months lately,  I'm crocheting lots, volunteering at a local school who run forest schools, studying and I've also started to volunteer at a wood to gain extra knowledge.

With Corridor Arts, we're also organising an Art Walk for May and talking to the Eden Project about having a Big Lunch Extras event the same weekend. The art walk will be in the Belper Parks and take place over spring bank holiday weekend.  The Parks will be filled with art work, yarn bombed and have some activities for visitors too.

Bobbins V Gravity - an art installation

I spent yesterday afternoon out in the park again with artist Andrew Martyn Sugars, as he created an amazing installation using string and bobbins.  The bobbins were donated by The North Mill and had been used when the mill was up and running.

This work was a development piece that grew out of a previous installation at The Eco Centre in Wirksworth and drew on Andrews own history of working with laser beams. We had a very soggy day which was thoroughly enjoyable, friends popped in and strangers stopped to chat with their inquisitiveness piqued.

I also took the opportunity to experiment with some of the pieces I've been crocheting to help explore future community yarn bombing projects.

Community Art

I've had a busy couple of weeks, we started building the mosaic at Belper Goes Green last weekend, I estimated about 200 people have taken part in putting it together and I'm really happy with how it's looking. 

I also had two helpers, Eleanor and Heidi, both from the university of Derby, who volunteered their time to help make the mosaic and chat to participants. There's still a bit more work to do before it can be installed, but its looking great. 

On Friday I ran a drop in workshop for Somercotes library, it was their 25th anniversary and this little treasure trove of tomes held a well being event with hand massages, refreshments and me, making silver anniversary decorations with memories from the past 25 years written on them. 

I thoroughly enjoyed myself, art, books and people chatting about their lives. I spoke to some fascinating people including a lady with a wealth of qualifications including a degree in glass making and a lovely chap who made a fish, simply saying that he used to fish a lot. We also had some emotional moments as another lady remembered her father in law, he had died 25 years ago and she obviously thought a lot of him. 

This is the part of community art I love, it becomes a real privilege to listen to people's life stories and its always fascinates me to hear all their stories. 

Creativity & Transition Belper

I was sat on my sofa, reading the transition network website guidelines for the stages of transition and involving families, when I realised the most obvious thing I hadn't done... Tell people about my growing involvement with the transition network. (Duh!)

For the last few months I've been working on a project for Transition Belper and what started out as a fun project that I could use my artistic skills with local children is turning out to be a bit of a life changer. I've always tried (and regularly failed) to live ethically and environmentally friendly so joining in with the transition network is an obvious step. 

Transition movements look at ways to address the two subjects of climate change and peak oil and how we can continue to live with a dwindling resource and how we contribute to climate change. 

The project is to create artwork for the railings at the Belper Train Station and to create a mosaic that will be built at Belper Goes Green Festival. I'm still hoping we have the funds for the mosaic and we are winging it a bit, but I still have a belief that it will happen. 

This has had an effect on my lifestyle recently as I've given up my car (my biggest oil user as I rarely do things like fly) and an awakening to using local and alternative sources. I'm currently enjoying the bus ride to my part time job which means I get to walk through my local park most days, whether I'll still like it in winter remains to be seen! 

I also recently agreed/volunteered to be the Creativity & Wellbing coordinator and our first meeting is on the 3rd May. My aspirations for this group are that we ultimately make artwork that reflect the issues around transition, have some skill sharing sessions and hopefully some up skilling. I know that I would love to learn how to crochet, something very simple but is a total mystery to me! 

As well as this I also start training as a forest school leader in May which I'm really excited about. Outdoors, kids, playing & learning, creating, mud. What's not to love! 

One of the drawings from Herbert Strutt Primary School for Transition Belper. 

Outdoor Easter Crafts hanging in the living willow dome. 

Why the Make Me An Offer Sale...

Why am I having a sale where people can get my artwork at rock bottom prices?

Several reasons....

I don't like selling my work.
I have a lot of artwork.
I have limited space.
People tell me they have no money but love my work.
My dislike for capitalism.


So basically, if anyone likes a piece of work, they can have it for a donation.  I will not be offended if I only get offered a £1.  This isn't about the money.

I feel that lately things have got too focussed on money and this is my kick back to it.

I want to keep making because I enjoy it not because I want to make money from it. 


So if you really truly enjoy a piece of my artwork and woudl like it, then offer me something. It doesn't have to be money, it could be a piece of your work, your time or something else you can do... just put it out there and see what comes back...

To view the artwork on offer follow the link to my Facebook page.

Decision & Indecision

I've had an incredibly busy time the last couple of weeks.  From preparing for the Derbyshire Open Arts to going down to London to pick up my painting from the Vibe Gallery to helping organise an Arts Trail in my own town and make some work to show at for it.  I have also taken on the job of co-ordinating a Well Dressing design for another local festival. I'm also trying to get fit by running which is also producing some artwork.

This has left my head in a bit of a spin with the realisation of several things I don't like doing. 

My major discovery is that I don't like selling face to face to the public. I'm far too shy and introverted to enjoy approaching strangers, I can do it, but the emotional effort is just too much and leaves me feeling thoroughly exhausted.  I also find it disheartening and does not help my fragile self esteem.  Even though over the Open weekend, I had some fascinating conversations with people, I still find the overall anxiety too much.

I am not a confident person and am constantly plagued with self doubt, so having to sell directly to people does not do me any favours.  I'm aware that this is true of a lot of creative people.

So I decided to investigate another possible stream of income, by looking into the greetings cards industry.  I've been making doodley cards and have a friend who used to have an agent for selling her designs and I'm meeting her for coffee next week for some advice.

Another way could be to find some commercial galleries to sell my original paintings, the challenge being, having to contact them and talk to them. Again, emotionally challenging for me to get over that initial shyness.  This I find rather difficult.

I feel I have come to a point of making some decisions.  To continue trying to make a living within the creative industries or to get a job and just make for my own enjoyment and therapeutic needs.

I've been continuing with the One Drawing a Day book, so here is a couple of my latest drawings, just to relieve from the inner monologue which has just expressed itself.

Dye & Bamboo Pen with Ink.

Maybe Asleep, Oil Pastel & Onion Dye.

River Derwent, Oil Pastel & Bamboo Pen with Ink

Exhibition Opening for Desperate Artwives

Yesterday was spent travelling down to London to the private view of the Desperate Artwives exhibition which opened at The Vibe Gallery.

It was an exhausting 12 hour trip, we set off at 2pm, arriving at the gallery for 6, spending a few hours viewing the work and then returning, finally arriving home at 2am.  Needless to say, I am fairly exhausted today and tiredness is not a good state for me. 

The work at the Vibe Gallery was varied and curated beautifully.  The atmosphere was friendly and welcoming, good wine and good food was available and later we were treated to some live music. 

I love how a group exhibition always has work that can be related to.  Speaking to one of the artists, I realised I had no connection at all with her piece of work, but could appreciate the power and symbolism that it involved.  I was totally drawn into the delicate drawings by Jasna Nikolic which were just beautiful, but reading her written word, I was left wanting more of an explanation.  But this is something I really enjoy as it leaves me the space to interpret the work how I wish to.

Lady and Ship, Mixed Media by Jasna Nikolic

Travellers, Mixed Media by Jasna Nikolic

Slavka Jovanovic's piece 'Broken' was a reconstucted dinner table and Jovanovic says, 'The piece encapsulates broken dreams and hopes dashed. An aggressive response to a hopeless situation, and yet a thing of beauty in its own right'  Unfortunately I didn't take a picture of this work which was exactly how the artists portrays in her words.

But personally, the piece of work that stood out wasn't one that I could actually stay with, I didn't listen to the whole soundpiece, it was too painful to listen too.  As you approached Chloe Bowles video and mixed media installation, it appears beautiful, a video of a baby lying under a sheet, happily playing and smiling but looking below the video was a darkly painted dolls house, with a single light shining on a miniature table & chairs, the house sat upon a small mat.  The immediacy of the scale comparison was powerful enough, but it only hinted at the full impact of the work, which was realised when you put the headphones on.  I have to admit I only stayed with the real recording of a domestic abuse event for a few minutes, but the impact of what the artist was conveying was immediate.  Every we do in our homes and our lives impacts elsewhere and these 'Ripples' can be long lasting.

'throw a stone into the middle of a lake and the resulting waves radiate outwards fromt he point of impact to the edges of the water, perhaps continuing beyond the shore, invisible and unspoken.' - Chloes Bowles

Ripples, Video and Mixed Media Installation by Chloe Bowles

Any work that has an emotional impact so strong, has to be a success.

Even if I wasn't part of this exhibition, I would have hated to have missed it.  It is definately worth a visit.

Belper Art Trail Submission - Schadenfreude

Even though I am an organiser of the Belper Art Trail, this year, I got to submit some work.

When we set up the theme of Recontextualisation, I didn't think I had anything I could work with, however, after picking up a book that has sat on my shelf for quite a while, quietly waiting for me to pick it up and read it, Status Anxiety by Alain De Botton has given me a revived interest.  I had made a whole body of work based around the emotion of fear, using symbolisms that encompassed that visceral feeling of repulsion.  So my submission for the Art Trail will be around Jealousy and Envy. 

The working title is Schadenfreude - Schaden = Harm nad Freude = Joy meaning the satisfaction or pleasure of seeing someone else's misfortune.

This is actually turning out to be quite a tricky emotion, not many people will admit to feeling it and I have come to realise it is one of our most secret emotions.

I can't post any pictures of the work in progress, because I am waiting for my new camera to arrive! Oh the excitement... I'm so looking forward to catching up with taking photos of all the glass eyeballs I have watching every move I make around the studio.  Feel free to feel jealous of the fact that I have a new toy to play with... I'm just hoping it will be here in time for the trip down to the Vibe Gallery in London for the Desperate Artwives opening night.

Not my eyeballs, but someone elses...

Draycott Arts & Gardens Festival, Day 1

I had a really lovely day yesterday at the Draycott Festival.

It's a very relaxed atmosphere at Draycott, its the second time I've taken part and have enjoyed the experience each time.  It feels very friendly and open with no pretensions.  In the garden Stevie Davis has hung some beautiul glasswork on the blossoming tree, looking as though these forms have almost mutated out of the branches.

Fuschia Glasswwork by Stevie Davis

Venue 2, Draycott Arts & Gardens Festival

I was sharing the space with a couple of jewellery makers of very fine and very delicate silverware, I have to admire such patience when making such a delicate item.  Karen Victoria, a mixture of self confessed 50's housewife accompanied by a fear of facepaint.  We were treated to a session by the Guerilla Drummers who set up for a set in the garden and just as we were starting to wind Sophie Snell turned up and told us a beautiful welsh story about ancestry, love and fish. 

I also said goodbye to a painting yesterday and happily sent it off to its new home, where I hope it will be very happy.  My new range of cards are also being well recieved too, having decided I should put my doodling to a good use and produced some cards which I'm pleased with.

So as I sit and listen to yesterday's Desert Island Discs and wait for my coffee to brew, I'm anticipating another lovely relaxed day, with good conversations with visitors and today I shall have to visit the lady at the end of the road who sells CAKE!

Titles of Paintings

I've just read the first part of an article on how the titles of paintings influence how the painting is interpreted. Lately, I've been thinking about how I title my paintings and come to the conclusion that they lack the personal element that guides the viewer to the meaning behind the image and that made them feel rather dull.

When I made sculpures, I would spend hours thinking about the meaning and how to title the work, mainly because they were so abstract, I felt I needed to give the viewer a clue as to what my work was about whilst leaving them enough room to develop their own interpretation.

For example, the images below were part of a body of work with the long and convoluted title of 'People Often Talk About Being Scared of Change But for Me I'm More Afraid of Things Being the Same'  Its so long, I have to get the catalogue out to remind myself of the title... But this work was the result of a year long research & devlopement process so perhaps the title reflects those long hard months of painful thought processes.

I think my now 'neutral' titles, such as 'View towards Belper' while being factual, give the viewer very little clue to the thought process or the visceral feeling I have towards that place.  I have got lazy with my thinking and perhaps in opposition to the longer titles, I have gone to the other extreme, which feels rather dull.

So when I dropped 3 paintings off at Crich this morning, I had retitled them, 'View Over Belper' has been renamed 'Where I Walk My Dog' because this is an area where I walk my own Shaggy Muse, Maybe.

I'm hoping this retitling will convey some of the sentiment & feeling behind each image I produce and this may even spill over into the art, making the work more exciting.

Festival Preparations

I've spent most of the day mounting & cello wrapping some postcard size paintings, just little abstract pieces done from memory, of a lanscape, an area glimpsed from the car window or a mountain range.  I'm really pleased with how they look and they are now ready to take over to Draycott Arts & Gardens Festival on Sunday.  The festival opens on Sunday at noon and runs through til 5pm Monday.  I'll be showing my paintings this year.  I feel that I am finally finding my way of expressing myself creatively, by using paint.  I have tried sewing, sculpture, textiles, mosaic but keep coming back to painting, so for now, that's what I'm sticking with.

Delivery of Paintings.

Tuesday saw the take down of my exhibition at The Crompton Tavern and the chance to collect two paintings that I sold on the opening night.  These are two small pieces, that started out as representational pieces, but I have to admit, they went slightly wrong.  However I did like the colours, so decided to see what they looked like if I chopped them up.  The result was two small pieces which really worked. 

I need to email the new owner of these paintings to see when I can deliver them and then take them over to her. I'm really pleased that these little pieces of serendipity will end up on someone's wall to be enjoyed.

The Power of Social Media

I've recently been included in a press release and we are to have a group interview and photo taken for the Derby Evening Telegraph next week.  It's very exciting and I have been boingy and buzzing since yesterday afternoon, I returned from taking Maybe for a walk to see my inbox flooded with emails arranging it all.   So today my mission is to go and get my haircut!


Four Belper Artists Brought Together by Social Media Have A Chance Of Selection to Exhibit in London Gallery

Back in summer 2011 Belper artist Ruth Gray read her twitter feed and the words ‘We are looking for Desperate Artwives!’ Jumped out at her. The call on the website read:

‘We are a group of women and artists who have been putting our "artistic needs" on hold to attend to our family and work duties, but who have also never forgotten who we really are at heart. We are now ready to reclaim our artist status and are looking for others who feel they belong to this category to join our group. Desperate Artwives aims to be a starting point and a common platform to gather artists and artwork that will make our project unique. We are looking for work that is entirely created at home, in between chores, family and paying bills. All artwork will be showcased on our website, while a smaller selection will join the Desperate Artwives group in our upcoming exhibition in London. Artworks in all media are welcomed, Inc. visual, film, sculpture, performance, textile art, poetry and writers. Submissions from international artists are also very welcomed!’

Ruth immediately submitted four pieces of work that she had been painting in the evening when her children were in bed and was accepted with her work show cased on the Desperate Artwives website. Since then the project has grown from strength to strength with over forty women artists from all over the world contributing. Amy Digham the project founder has announced that Desperate Artwives is now officially supported by the Women's Art Library, Goldsmiths University of London and the Desperate Artwives Exhibition will take place from the 19/05 to the 29/05 (PV friday 18th) at the Vibe Gallery, London. SE16 4DG. Student Jerwood Prize winner 2011 Nicki Rolls, will be taking part as special guest.

What Ruth didn’t bargain for was the project bringing together Jenny Oldknow, Christine Gray and Mandy –Jayne Ahlfors all Belper artists who all share similar stories of raising families and working yet still finding time to create artwork in between, this has been an added bonus and now the artists have had opportunities through social networks such as twitter and facebook to meet up and collaborate on other projects such as the Belper Art Trail and #twitterartexhibit (taking place in Moss Norway.) All have seen their profile raised since Desperate Artwives began and are now very positive that the time spent painting in between chores is paying off!


　

The Belper Artists

Ruth Gray

Ruth Gray is a fine artist who is both a British and Australian citizen specialising in semi abstract artworks that explore the emotion of natural environments through the use of colour and form.

Working predominantly in acrylics, using collage to add texture. With a long background in representational art Ruth also has a love of traditional watercolours and pencil work. Because fine art was not considered to be a stable career choice, she studied Textiles Technology at University and became a clothes designer for twelve years. But continuing her art education at night school and sketching at home. After immigrating to Australia in 2003 with her husband, she found herself living hours away from any major town or city and unable to continue her fashion career, so she reinvented herself as a fine artist. Successfully selling artwork in regional and national exhibitions, solo, joint and group shows. Media attention from newspapers, local radio and regional TV followed. Eventually writing ‘how to’ articles for national arts magazines. All the while discovering new skills in fine art at the local college.

Returning to the UK in 2009 and settling in Belper on the edge of The Peak District Ruth completed a degree in International Business and has continued with her art practice. Currently represented by local galleries in Derbyshire.

Bondi Rip by Ruth Gray

Mandy –Jayne Ahlfors
Before embarking on opening a working artist studio and gallery Mandy began exhibiting her art in the year 2007 it was a big step and was encouraged by her family to take the leap into the otherside of the art world. So her first exhibition was at a lovely little gallerynestled in Lea nr Holloway, followed by an exhibition at View from The Top gallery in Nottingham. The following year Mandy was made redundant from her job as drawing office administrator this meant looking for work,after six months of looking Mandy was approached by a friend who suggested sharing studio space. This was the beginning of something new and challenging. Mandy moved her studio and gallery to her home town and opened in July 2011 in Heage Derbyshire.

Mandy Jane Ahlfors in her Studio

Jenny Oldknow
‘I paint expressive and vibrant watercolour’s of ALL kinds of lovely animals - pets, wildlife, insects, horses, farm animals, you name it! I also paint pure abstract work.I have exhibited my work widely and my paintings have been sold throughout the UK and abroad.
Commissions are very welcome - pet portraits are a specialty! But I am happy to paint ANY animal, or an abstract piece, for your special commission!
I am an artist member of the 'Association of Animal Artists'.

Red Flight by Jenny Oldknow

Christine Gray

Christine is a mixed media artist who explores the use of colour and texture. Using a combination of collage, handmade silk papers, dyes and paint she creates abstract studies often combined with an illustrative technique.

Her work often reflects the landscape around her, including areas of Belper, Matlock, The Peak District and from visits to her parents on Anglesey. Christine also uses creative writing in her work. She is currently exploring Art and Running, painting abstract landscapes of the world in motion.

She moved to Derbyshire in 1991 and has made Belper her permanent home.

‘I studied Fine Art at the University of Derby and graduated in 2009 alongside bringing up a young family, I then continued onto a Postgraduate Certificate in Community & Participatory Arts at Staffordshire University . In 2010, I was selected for the ‘Start Up & Go’ business programme with University of Derby and since then have been working as an artist, making and selling work through various outlets and attending local festivals.
I am also working in collaboration with Andrew Martyn Sugars in our not for profit arts organisation called Corridor Arts, we put on art events in Amber Valley such as The Belper Art Trail with the Belper Food Festival Committee, that promotes collaboration between artists and works to keep our artistic community thriving.’

Belper by Christine Gray

Desperate Artwives Project Founder

Amy Dignam.

Amy graduated from Central St Martin in 2005. Dictated by the need to support herself financially and by the fact that job prospects for conceptual artists are not exactly flourishing, Amy ended up having to take up a job that is not even remotely near her artistic ambitions. A few years on and Amy is now married, has two gorgeous girls and is still in the same job. She is a housewife, mother and part-time employee, but at heart she is also an artist who is looking for an opportunity to keep her passion going.

Meditating on her situation, Amy realised that there are plenty of women in exactly the same situation – women that continue to produce incredible work behind closed doors while they feed their babies, support their husbands and chase a job that pays the bills but doesn’t satisfy their creative needs. These women need a voice and an outlet.

What if we created a movement to celebrate these talented women? What if we could find a way to collect the work of these women and then look for an opportunity to exhibit their work? In answering these questions, Amy created ‘Desperate Artwives‘, a movement, a website and a collection of work that will eventually be sifted and shortlisted for a London exhibition.

　

　

　

　

　

　

　

　

　

Links:

http://www.desperateartwives.com/desperateartwives.com/Welcome.html

http://www.gold.ac.uk/make/

http://www.jerwoodvisualarts.org/

http://www.familyfriendlyworking.co.uk/2011/11/27/new-project-desperate-artwives/

http://www.jennyoldknow.com/

http://www.purpleshedstudio.co.uk/

http://www.facebook.com/Ruthggray

http://www.ruthgraHYPERLINK "http://www.ruthgrayimages.co.uk/"yHYPERLINK "http://www.ruthgrayimages.co.uk/"images.co.uk

http://www.artbymandy.com/http___artbymandy.com/About.html

http://davidsandumart.posterous.com/call-for-artists-2nd-twitter-art-exhibit-in-m

http://www.corridor-arts.org.uk/

Painting Progress

Progress is going well with the paintings.  I experimented with some water soluable oil paint on Thursday and was quite pleased with the result.  It also led to me constructing a washing line in the living room above the radiator so that they dried out just that bit quicker.

These were trail runs for the canvas's but I quite liked the results as they were, I will probably work into them further and see what happens.

I'm off exploring tomorrow to visit some areas of the Peak District for the De Mirabilibus Pecci Exhibition at The Crompton Tavern in Derb.  The plan is to head up to Castleton and see what lovely views we can find, hopefully the sun will shine and it won't be too cold.

Revived and Rested

I'm feeling very revived and rested after this xmas break.  I even managed to finish a painting and start a new one.

View of the Mountains from Beaumaris

I was fairly exhausted in the run up to this xmas and very relieved that I now feel recovered.  I also feel very hopeful for the New Year.  I have a instinctual feeling that something good is going to happen and lately I have been trying to practise trusting my instinct.  If my gut feeling says its wrong, then I'm going with it.
Learning to recognise the feeling of instinct or nervousness is tricky though and I have got these muddled in the past.
So I decided to put myself outside of my comfort zone and start applying for competitions. The first one I've applied for is Channel 4's, Show Me the Monet.  They attraction of having my work critiqued and a possible selling show in London was strong so I followed my instinct, ignored the horrible nervous feeling of 'What if I actually get somewhere with this and end up on telly!' and pressed the submit button.
I have also got a list of other competitions to enter and a feeling of great positivity.  I plan on making the Law of Attraction work for me this year!

Mountain View

View from Beaumaris to the Mainland.

My latest painting, again, not sure whether I like it. But I have learnt to do hide it away for a couple of months before I look at it again.  I used my new paints for this, which are very vibrant and colourful, exactly the sort I love to work with.

I've struggled with this painting, at one point, I whited it out and had to return some of the vibrancy.

I also used a board and not paper, which is out of my comfort zone, I feel very precious about using boards to paint on and it was a challenge to let go of having to produce a perfect piece of work.  When working on paper I am happy to make a mess and remain playful, to make mistakes and not feel that I have ruined whatever I am working on.  I'm still trying to find this freedom when working on a different background.

My two wooden frames have been returned to me today, so the challenge will be to cover them in canvas and make two large paintings in the new year.  

View over Belper

This is the same view over Belper as the blue based painting done earlier, but I thought I would challenge myself by using a different pallete. I usually stick to purples and blues so changing the colours I work with was challenging and fun.  I enjoyed doing this painting, elements of it really work for me.

It feels more traditional in style and colour so is a new departure for me, I'm not sure its a route I want to take, I enjoy the abstract element of painting so this is a bit too representative.  I am still enjoying this experimental process of finding my own style and voice using paint.  It feels good to be returning to it and I still feel inspired by the John Piper exhibition I saw during the summer, a quick dip into the book I bought and the inspiration and thrill of looking at his work returns.

Derby Makers at The Silk Mill Museum

Our Sunrise Pinhole Camera - Beer Tins and Gaffa Tape!

Last night, I took myself and my daughter off to the Silk Museum to play at making pinhole camera's with the Derby Makers.

It was a really good experience, we were given our (empty) cans of beer to gaffer tape, put a hole in, and insert a piece of photographic paper in.  Between us we made three camera's and now have to decide where we will put them.  The plan is to make it a sunrise pinhole camera.  Facing south it will track the progress of the sun across the sky for the next 6 months.  We intend to put ours out on the Winter Solstice and bring it in on the Summer Solstice.  We haven't actually decided the exact spot for each camera, but will be posting the results in 6 months.  I'm also hoping to do this with a class of year 3 & 4, so hopefully will get good results there.
This is all very experimental, I've seen images taken by Sunrise Camera's but its all a bit tricky, subject to rain, wind and if placed in a public place, cleaners, drunks and the curious.

More experiments with paint.

This is a painting I've been working on for the last couple of days, it a view of Belper from the fields near my house, where I often walk my dog.  Its one of my favourite views, showing a vista from the Chevin to Alport Heights.

I'm really enjoying playing with paint, but have realised that I have a preciousness about getting it right.  If I start a painting on a canvas or on a board, I put a pressure on myself to get it totally right.  When I work on paper, I'm more relaxed and often I quite like the results.  However, as the image above shows, paper is not always the best thing to work on as it does not carry enough weight to keep it from becoming warped.

So my next challenge to myself is to become less precious about getting it perfect the first time on a board or canvas.

Exhibition Spaces...

I visited the Brewhoue Art Centre in Burton on Trent on Friday.  I was dropping some work off for their Xmas shopping exhibition and also to take the opportunity to have a look around with a view to a potential exhibition next year.

It is a lovely space, but I find myself wondering whether having an exhibition away from my own area is a good idea.  So some more research is needed into the area and what the art scene is like in East Staffordshire.  Its not that far away, but I'm not known around there and a I discovered yesterday when observing the actions of customers at the Muse Gallery Xmas Fayre, people definately do buy from people.  I am still in the early stages of getting my name and face recognised so have to keep taking these chances to get myself known.

I've also decided to persue a line of research that I've been thinking about for a couple of years now.  I read a historical novel (not usually my thing) which was based on a true story.  The story has stayed with me and I re-read the novel, deciding it was time to look further into the truth side and develop a body of work.  Usually I find myself being very open with what I am making, but this feel too precious, too early stages to reveal yet.  I just know I want to make some mixed media pieces.  A friend has pointed out that this would be a good reason to apply for a Grants for the Arts funding, but that feels a bit scary at this stage!